演出訊息
巴洛克獨奏家樂團《印象 ‧ 臺灣》(作品發表)
Time: April 30, 2021 (Taipei Standard Time, GMT+8)
Location: 衛武營國家藝術文化中心-音樂廳
巴洛克 x 臺灣歌謠 x 多媒體劇場
青春漂浪 秋戀情綿 70年的寶島思戀曲
結合舞台、戲劇與古典的協奏音樂會新章
暌違五年的時光淬鍊，2021年巴洛克獨奏家樂團再次將臺灣經典歌謠搬上大舞台，推出第二部多媒體音樂劇場《印象．臺灣》，邀請到劇場御用資深導演楊士平編導、多媒體設計由曾獲世界設劇場計大獎得主王奕盛操刀，與資深燈光設計師郭建豪聯合製作，夢幻陣容打造出最高規格視覺與聽覺的雙重饗宴。巴洛克獨奏家樂團將用音樂描繪出歌謠音畫，訴說著臺灣不同時期的社會脈動、歷史脈絡與人民內心的聲音，並搭配多媒體的視覺設計，用多元的手法呈現給觀眾一場跨越時空的臺灣歌謠多媒體劇場新體驗。透過演員林竹君與陳芃親子之間的跨國書信往來劇情，交織呈現曲目中動人深刻的故事，雋永你我記憶中那些美好的聲音。
Time: March 28, 2021 (Pacific Daylight Time)
Location: CCRMA Live (Virtual streaming)
Role: Performer
The Coronavirus Crisis has changed our lives and we are in the midst of a long period without concerts as we knew them. In addition to the problem of large audiences, the regulations also make it 'virtually' impossible for musicians to get together, to rehearse, or perform. However, many technologies and solutions are already available, helping us to find new ways of collaborating and transporting our work to audiences. We have been programming, testing, and rehearsing in an online environment between California (US), Berlin (DE) and Ghent (BE). We present concerts that connect musicians from these locations and guests from other places to each other. The sessions are broadcast live with audio and video feeds from each site.
—Henrik von Coler
Guest performers
Noah Berrie (Los Angeles, CA) | Michele Cheng (Berkeley, CA) | Hassan Estakhrian (Berkeley, CA)
Emily Graber (Toronto, CAN) | Mantautas Krukauskas (Vilnius, LT) | Jonathan Impett (Norwich, UK) | Sarah Weaver (New York, NY) | Bonnie Wai-Lee Kwong (Menlo Park, CA) | Cecilia Wu (Denver, CO)
Performers
Constantin Basica (Stanford, CA) | Chris Chafe (Woodside, CA) | Henrik von Coler (Berlin, DE) | Fernando Lopez-Lezcano (San Carlos, CA) | Juan Parra (Ghent, BE) | Klaus Scheuermann (Berlin, DE)
Pamela Z + fff ensemble (演出)
Time: March 19, 2021 (Pacific Daylight Time)
Location: CCRMA Live (Virtual streaming)
Role: Performer (fff ensemble)
Denning Artist in residency Pamela Z and members of the fff ensemble present a joint concert.
Register here for an after-concert panel with Pamela Z and the members of the fff ensemble, joined by special guests Margaret Schedel and Jocelyn Ho. The discussion will begin at 6pm PDT and will focus on performance with technology from a feminist perspective, including the Women's Labor project.
Stanford New Ensemble: Winter Concert (演出)
Time: March 10, 2021 (Pacific Standard Time)
Location: Stanford University (Virtual performance)
Role: Performer (Stanford new ensemble)
Since the pandemic began last Spring, the Stanford New Ensemble has been able to maintain our collective musical activities thanks to JackTrip, the free and open-source software developed at CCRMA for low-latency, uncompressed audio.
For this winter term, we have been taking full advantage of the online format, adding live sound-processing to our use of JackTrip (using Max/MSP). We will present both Karlheinz Stockhausen's Richtige Dauern (Right Durations) from his 1968 cycle Aus den sieben Tagen (From the seven days), a kind of music he would refer to as "intuitive music", and Pauline Oliveros' Out of the Dark (1998), a sonic gathering that brings participants together in the shared experience of making music collectively.
This live stream features performers playing from home in locations around the US as well as Europe.
Performers: Marielle Ina Baumgartner, Noah Nathan Berrie, Michele Cheng, Hans Kretz, Praveen Sriram, Eddie Tchaouchev
Colin Yule
Time: February 22, 2021 (Eastern Standard Time)
Location: The University of Western Ontario, Canada
Panelists: Favor Mitchell, Angelica Tavella, Michele Cheng
Topic: Guest speaker series—A panel on gender equity in music technology
Course: Technology in Music Education, instructed by Jashen Edwards (Winter Term, 2020)
Hear the Love (Oh My Ears New Music) (作品演出)
Time: February 14, 2021 (Mountain Standard Time)
Location: Phoenix, AZ (Youtube virtual streaming)
Role: Composer
Share the Love with OME this Valentine's Day!
Julia Lougheed's performance of Michele Cheng's "101 Exercises for Old Couples" will be a part of the Oh My Ears New Music's marathon concerts.
National Sawdust New Works Commission (作品發表)
時間: December, 2020
地點: National Sawdust, 布魯克林, 美國紐約 (Virtual performance)
National Sawdust Ensemble performance will stream on Facebook and the Live@ digital stage on Thursday, December 10 at 5pm Eastern
JACK Quartet performance will stream on Facebook and the Live@ digital stage on Friday, December 11 at 5pm Eastern
New Works Commission winners:
Daniel Sabzghabaei, Eddie Codrington, Jessie Cox, Nicholas Tran, Nina Shekhar, Rajna Swaminathan, Tanyaradzwa Tawengwa, Ted Moore, Yaz Lancaster, Golnaz Shariatzadeh, Baldwin Giang, Bethany Younge, Clifton Joey Guidry III, Finola Merivale, James Diaz, Julie Herndon, Kelley Sheehan, Manjing Zhang, Mario Layne Fabrizio, and Michele Cheng.
Stanford New Ensemble: hors les murs (演出)
Time: November 18, 2020
Location: Stanford University (Virtual performance)
Role: Performer
This livestreamed performance will feature works by Mark Applebaum and Pauline Oliveros, and a world première by Hassan Estakhrian. Performers will be playing from their homes in locations around the U.S. and Europe.
Performers
Noah Nathan Berrie
Michele Cheng
Hans Kretz
Praveen Sriram
Eddie Tchaouchev
Kathleen Yuan
Colin Yule
Andrew Aday Lee Zhu
Seoul International Computer Music Festival 2020 (研討會)
Time: October 30, 2020 (KST)
Location: Jayu Theater, Seoul Arts Center, Seoul, Korea
Role: Composer/Performer
Seoul International Computer Music Festival(SICMF) is a sonic-art performance embracing musical instruments, electronics, audiovisuals, multimedia, etc. as well as a special event showing new approaches and possibilities to combine music with technology finely, opening every autumn in Seoul. From starting in 1994 as the first computer music festival in Asia to its 27th festival this year, SICMF played over a thousand of high-end works and has grown as the major stage leading the global computer music trend.
A number of works from all over the world are applied every year and carefully selected for the festival. This year's concerts will perform 21 foreign works and 15 Korean works. Particularly, a pioneer in the field of Computer Music and the co-founder of Audacity, Roger Dannenberg, as the keynote speaker, and the Music Technology team at Carnegie Mellon University are invited for our valuable opportunities of international exchange. We hope that SICMF2020 can strengthen the place of Korea as a field of computer music and can contribute to the advancement and the further progress of computer music in the world.
時間: October, 2020
地點: Resonance Works, 匹茲堡, 美國賓州 (Virtual performance)
Celebrating the centennial of the 19th amendment with a 3-part series of works by women composers of the past and present. Join us on the premiere dates for live artist chats! Music written in the last 5 years, including a world premiere, works by Carnegie Mellon alums, and a set of songs from Sing Out Strong: Immigrant Voices, which premiered alongside the world premiere of the opera “I Am a Dreamer Who no Longer Dreams” last fall by Boston’s White Snake Projects. Our production of Dreamer has been postponed a year, but two of our cast will perform these songs, created by writers and composers with connections to the immigrant experience.
Works by:
Missy Mazzoli, Annika Socolofsky, Katherine Pukinskis, Michele Cheng, Marina Lopez, Sheela Ramesh, Celka Ojakangas, and Gilda Lyons
Artists:
Helen Zhibing Huang, soprano | Maria Lopez, mezzo-soprano | Timothi Williams, mezzo-soprano| Dawn Posey, violin | Katya Janpoladyan, cello | Karen Jeng Lin and Zach Neufeld, piano | Members of the Resonance Chamber Orchestra
ISSTA 2020: SONIC PRACTICE NOW (研討會)
時間: August, 2020
地點: 愛爾蘭 (Irish Sound, Science & Technology Association)
The worldwide spread of COVID-19 and the associated social changes have impacted our lives in a manner that has no precedent in recent times. How has the initial shock changed our professional and personal relationships? Does this pandemic mark a permanent change to how we work and share? Is this a societal event that will soon be normalised?
ISSTA has invited international artists working with sound to share their responses to this situation as composers and performers. We have curated a series of three concerts featuring live performance and fixed media works in audio and video formats. We feel that this selection of work demonstrates a range of changing methods of individual practice, collaboration, and sonic discovery made during 2020.
時間: July, 2020
地點: 美國佛蒙特州
Streaming concert of 10 new pieces followed by a virtual reception.
Featuring compositions/performances by:
Lucas Ranieri/Garret Klauss
Baldwin Giang/Zach Pulse
Chelsea Loew/Jessie Nucho
Dayton Kinney/Laura Jacyna
Stephen Jackson/Elsie Han
Keaton Garrett/Charles Caldwell
Ramin Roshandel/Addie Hotchkiss
Ben Morris/James Sullivan
Paul Novak/Evie Werger
New Music Gathering (研討會)
時間: June 16, 2020
地點: 波特蘭, 美國奧瑞岡州 (Virtual performance)
2020’s Gathering will be in June 18-20 in Portland, Oregon! Our collaborating partners include Third Angle New Music, Fear No Music, & Portland State University. Our theme for NMG 2020 is ‘Local Action.’ Our keynote address on this theme will be offered by Nathalie Joachim. Our headlining performers for NMG2020 are Seth Parker Woods, Third Coast Percussion, and Flutronix. Our schedule of NMG2020 events can be found on our NMG2020 Schedule page.
* Revised: Virtual performances, talks, discussions inspired by this year's theme of Local Action. Co-hosted by American Composers Forum and New Music USA.
Quarantine Sessions #9: A Distributed Electroacoustic Network Improvisation (演出)
Time: May 23, 2020 1pm (PDT)
Location: CCRMA, 史丹佛大學 (Virtual performance)
Role: Guest artist
In the past few weeks, we have been programming, testing, and rehearsing in an online environment between California, which is still facing a 'shelter-in-place' situation, Berlin (DE), and Ghent (BE). Each Saturday afternoon we are presenting a concert that connects six musicians from these locations and guests from other places to each other. The sessions are broadcast live with audio and video feeds from each site.
Guests:
Michele Cheng, self-built amplified surface with FX
Hassan Estakhrian, bass and synthesizer
Michiko Theurer, live drawing/painting
Performers:
Constantin Basica (Palo Alto, CA)
Chris Chafe (Woodside, CA)
Henrik von Coler (Berlin, DE)
Fernando Lopez-Lezcano (San Carlos, CA)
Juan Parra (Ghent, BE)
Klaus Scheuermann (Berlin, DE)
Time: May 13, 2020
Location: White Snake Project, 波士頓, 美國麻州 (Virtual performance)
Role: Composer / Piece: FIGHT (Premiere)
We’re proud to introduce you to the writers and composers of SING OUT STRONG: DeColonized Voices, who come from all over the world, reflecting the diversity of America, and Boston in particular. They bring with them the music and stories of the Nipmuc Tribe of Massachusetts, Cape Verde, Hong Kong, the Dominican Republic, the Democratic Republic of Congo, Vietnam, Haiti, the Chickasaw Nation of Oklahoma, and the multicultural melting pot of heritages in the United States. They come from diverse socio-economic, age, gender, and racial backgrounds. Some are professional musicians, some are high school students. But all are activists who believe that music and storytelling have the power to change lives.
CCRMA at Home (作品發表)
Time: May 3, 2020 2pm (PST)
Location: CCRMA, 史丹佛大學 (Virtual performance)
Role: Composer & Improviser / Piece: Doyennes' Diaries (Binaural mix premiere)
Please join us via live streaming this Sunday for a concert with CCRMAlites sharing new works from their homes into yours. We will have live performances, audiovisual pieces, immersive soundscapes, and poetry. There will also be a chat where you can write impressions, ask questions and interact with the artists and other members of our community.
Works and performances by:
Mark Applebaum
Michele Cheng
Cathleen Grado
Julie Herndon & John Ivers
Christopher Jette
Douglas McCausland
D’or Seifer & Eoin Callery
Time: April 25-26, 2020
Location: 倫敦, 英國 (Virtual conference)
Role: Presenter
The eavesdropping season culminates in a weekend-long symposium which will be an opportunity for local and visiting artists alike to reflect together on 'creative activism: radical responses within new music'. The symposium is designed to be open, inclusive and positive in its approach to this theme: the programme will feature a broad variety of papers, presentations, performances and discussions reflecting the diversity of issues and responses within the international new music scene. Special guests Marlo De Lara and Sarah Nicolls will be offering their thoughts on resistance and activism, and Extinction Rebellion activist Cathy Eastburn will be filling the chapel with the therapeutic resonances of a gong bath focusing on reconnection. The programme will also feature several discussions and a selection of shorter contributions gathered through a Call for Papers.
Time: April 22-25, 2020
Location: Sonic Arts Research Centre (SARC), 貝爾法斯特, 英國北愛爾蘭
Role: Composer / Piece: Speed Dating (ambisonics)
Once every 2 years, artists from across the world gather in Belfast for a week of musical adventure. Since 1981, Sonorities has led the way for musicians, composers, and sound artists to make and present work for curious listeners.
Locations across Belfast, including the most advanced music venue in Ireland: The Sonic Lab, play host to all things weird and wonderful. There’ll be concerts, club nights, installations, talks and more. Occasionally you might leave unimpressed, but more often than not you’ll stumble upon something that could change your outlook on music forever.
Time: March 21, 2020
Location: 匹茲堡, 美國賓州 (Virtual performance)
Role: Composer-performer / Piece: Doyennes' Diaries (Premiere)
Experimental and improvised music and sound-based performance art by Kamratōn, Olivia J. P. Harris, Felicia Chen, Michele Cheng, Annie Hui-Hsin Hsieh, and Erin Rogers.
Time: March 8, 2020
Location: CCRMA Stage, 史丹佛大學
Role: Performer (fff Ensemble)
A concert in celebration of the International Women's Day
26th Young Composers Meeting (作品發表)
Time: February 28, 2020
Location: Gigant, 阿珀爾多倫, 荷蘭
Role: Composer / Piece: Peeter & the Woolf (Premiere)
Young Composers Meeting is an intiative by orkest de ereprijs to give young professional composers a chance to compose for an ensemble and develop their talents, knowledge and professional network. It is organised by orkest de ereprijs, the Gaudeamus Foundation and Podium Gigant Apeldoorn.
We proudly present the participants of the 26th Young Composers Meeting 2020:
Liesbeth Decrock (Belgium), Isabelle Riche (Canada), Xiaoran Jiang (China), Inga Magnes (Iceland), Wilson Leywantono (Indonesia), Yayi Wira Pamungkas (Indonesia), Vlad Chlek (Russia), Polina Korobkova (Russia), Victoria Benito (Spain), Thanakarn Shofield (Thailand), Emily Abdy (UK), Lara Agar (UK), Georgia Denham (UK), Michele Cheng (USA), Robert Fleitz (USA), Martin Mayo (USA).
Image Rights: Kenneth Reams
Time: February 6-8, 2020
Location: Nitery Studio, 史丹佛大學
Role: Performer (percussion, keyboard, vocal) w/ Stanford New Ensemble
Choreographed by Anna Kimmel
Music Composed by Barbara Nerness
SOLI is a dance created in collaboration with Kenneth Reams—an artist, activist, and inmate on death row. This piece oscillates between themes of solitude and solidarity to offer space for reflection regarding the injustices of the American criminal justice system and the continued practice of capital punishment. Centered around Reams' inability to be in attendance for this labor of mutual respect, admiration, and ideas, this dance explores the limits of presence for the absent body, and the vulnerability of invisibility.
Time: Wednesday, December 4, 2019, 7:30 PM
Location: CCRMA Stage, 史丹佛大學
Role: Performer (electric bass, vocal, any objects)
Free admission
The Stanford New Ensemble presents their end-of-quarter performance of work by Julie Zhu, directed by Hans Kretz.
The composer’s own comments on this work follow:
“When are we supposed to clap? Cheer Piece imagines a world in which every action, even those inconsequential, requires you to play a pre-recorded cheer for yourself, as emotional and auditory support. The strange and funny performance will take place in three parts: a self-congratulatory prologue, the dystopic canon, and then a talk-back and discussion about wellness and performativity.”
Time: Friday, November 22, 2019, 7:30 pm
Location: Katzin Concert Hall, Temple, 美國亞利桑那州
Role: Composer / Piece: 101 Fun Exercises for Old Couples
My degree recitals have always been a little "off the beaten path"---this one looks at the beaten path, spits on it, and goes the opposite direction. Featuring performance art, my first experience with live electronics, people playing two clarinets at once, and way too many clarinet players on stage.
Program:
Bohuslav Martinu's "Sonatina" with Nathan Arch, piano
Barry Moon's "Spring"
Bill Smith's "Four Duets for Four Demi Clarinets" with Francisco Javier de Alba, demi clarinets
Michele Cheng's "101 Exercises for Old Couples"
Jon Russell's "Bass Clarinet Double Concerto" with Scott Allen, bass clarinet and the ASU Clarinet Explosion Ensemble
Time: Friday, November 15, 2019, 7:30 pm
Location: CCRMA Lounge, 史丹佛大學
Role: Performer (fff Ensemble)
CCRMA lounge open-share (Co-hosted by Michiko Theurer and fff Ensemble)
What: spread some joy/curiosity/questions... through anything you'd like to share: visible, audible, edible, drinkable, anything in-between or otherwise. Just learned to weld and want to share a totally non-functional but solidly joined clump of metal? (I might!...) Part-time poet or oud player in search of a supportive and non-judgmental audience? Want to tell a story or teach us all a dance? Please let me know if you have something you'd like to share at either gathering and how we can help prepare (equipment, setup, etc.). Works in progress are very welcome.
Time: Wednesday, October 23, 2019
Location: Bing Concert Hall, 史丹佛大學
Role: Performer (Percussion)
Free Admission
This annual free concert honors the life and memory of Stanford alumnus Daniel Pearl, the violin-playing Wall Street Journal reporter who was murdered in 2002. The program will feature the St. Lawrence String Quartet performing Steve Reich’s Daniel Variations, which quotes the Book of Daniel as well as Pearl himself. The quartet will also be joined by Stanford faculty members, students, and local musicians in a performance of the Grammy-winning Different Trains, a work that reflects on the plight of the European Jewish community during World War II.
Time: Saturday, Sep 21-22, 2019
Location: Emerson Paramount Theatre, MA
Role: Composer (Prelude) / Piece: I can't understand a word you're saying
Two children, worlds apart—one flies, one walks—to America.
Two girls, divergent lives—one green card, one undocumented—in America.
Two women—different struggles, disparate hopes—for America.
Two friends, shared dreams, one journey—through America.
Time: Thursday, August 22
Location: CitySpace, Boston, MA
Role: Commissioned Composer / Piece: I can't understand a word you're saying
Free Admission
Join us for SING OUT STRONG: Immigrant Voices, a free concert of new songs based on the stories and experiences of Boston area immigrants. Sing Out Strong features composers from Peru, Latvia, India, China, Taiwan, and Mexico and writers from Haiti, Vietnam, Brazil, the Dominican Republic, and China. Composers and writers have been paired up to amplify stories of the immigrant experience through song and to celebrate the contributions of immigrant artists to our city and culture. Join us in celebrating these new American songs!
Time: Thursday, August 8
Location: Pao Performing Arts Center, Boston, MA
Role: Commissioned Composer / Piece: I can't understand a word you're saying
Free Admission
Join us for SING OUT STRONG: Immigrant Voices, a free concert of new songs based on the stories and experiences of Boston area immigrants. Sing Out Strong features composers from Peru, Latvia, India, China, Taiwan, and Mexico and writers from Haiti, Vietnam, Brazil, the Dominican Republic, and China. Composers and writers have been paired up to amplify stories of the immigrant experience through song and to celebrate the contributions of immigrant artists to our city and culture. Join us in celebrating these new American songs!
Time: Thursday, August 1
Location: Multicultural Arts Center, Boston, MA
Role: Commissioned Composer / Piece: I can't understand a word you're saying (Premiere)
Free Admission
Join us for SING OUT STRONG: Immigrant Voices, a free concert of new songs based on the stories and experiences of Boston area immigrants. Sing Out Strong features composers from Peru, Latvia, India, China, Taiwan, and Mexico and writers from Haiti, Vietnam, Brazil, the Dominican Republic, and China. Composers and writers have been paired up to amplify stories of the immigrant experience through song and to celebrate the contributions of immigrant artists to our city and culture. Join us in celebrating these new American songs!
Time: Thursday, July 11
Location: Park City Library, Utah
Role: Panel Discussion on Creative Process
The VU Symposium for experimental, electronic and improvised music was founded by Katie Porter and Devin Maxwell of Listen/Space, a 501(c)3 arts non-profit, in 2019 we are proudly in collaboration with Westminster College School of Music, Red Desert Ensemble Artists-in-Residence at Westminster College, The Park City Library, and the Marriott Library Digital Archives.
Time: Wednesday, July 10
Location: Park City Library, Utah
Role: Lecture-recital Presenter
The VU Symposium for experimental, electronic and improvised music was founded by Katie Porter and Devin Maxwell of Listen/Space, a 501(c)3 arts non-profit, in 2019 we are proudly in collaboration with Westminster College School of Music, Red Desert Ensemble Artists-in-Residence at Westminster College, The Park City Library, and the Marriott Library Digital Archives.
Time: Wednesday, July 6
Location: Musée des Beaux-Arts de Dijon, France
Role: Composer / Piece: Emotional Games
Time: Tuesday, June 18, 8:00 PM
Location: Casa Obscura, Montreal, Quebec
Role: Composer / Piece: 101 Fun Exercises for Old Couples
Joignez-nous pour une soirree musicale, un petit fete pour les oeuvres contemporaines pour la clarinette et clarinette basse. Cette programme inclus des oeuvres de compositeurs et compositrices de Montreal et Amerique-nord comme Colin Frank et Julien Claudinion. Ne manquez pas cette spectacle!
Time: Friday, June 14, 7:30 PM
Location: Recital Hall, Montreal Conservatory of Music 蒙特婁, 加拿大魁北克省
Role: Composer / Piece: 101 Fun Exercises for Old Couples (Premiere)
Dans le cadre du LMCM 2019 nous sommes fiers de présenter le premier concert de nos participants et leurs créations mondiales !
Salle de récital du Conservatoire
Billets : 10$ avec la billetterie du Conservatoire
_____
As part of MCML 2019 we are proud to present the first of two final concerts featuring our participants and their world premieres!
Recital Hall, Montreal Conservatory of Music
Tickets: $10 available through the Conservatory box office
Time: Tuesday, June 11, 9:00 PM
Location: Resonance Café, 蒙特婁, 加拿大魁北克省
Role: Composer/Performer / Piece: Speed Dating
Venez et écoutez nos participants de 2019 en concert ! Les participants présenteront leur projets personnels et leurs démarches artistique dans deux soirées relaxe à Café Résonance !
_________
Come and join us to hear our participants in concert! They will present their own personal projects and artistic practices in two informal evenings at Resonance Café!
Resonance Café, 5175A Avenue du parc
June 6 at 9 pm
June 11 at 9 pm
Suggested donation : $5
Time:
CONCERT 1: Friday, May 31, 7:30 PM
CONCERT 2: Saturday, June 1, 7:30 PM
Location: Bing Concert Hall, Stanford, CA
Role: Composer / Piece: Speed Dating (Ambisonics premiere)
Free admission
Please join us for the second installment of our epic concert series "The Lord of the Bings: The Two Bings". We will present two different evening programs of multichannel immersive music, soundscapes, and visuals in Bing Concert Hall Studio. Our GRAIL sound system will be deployed again in a 3D setup for a selection of pieces from CCRMA and around the Middle-earth.
Stanford New Ensemble (作品發表暨演出)
Time: Wednesday, May 29, 7:30 PM
Location: Dinkelspiel Auditorium, Stanford, CA
Role: Performer (piano, vocal, percussion) & Composer / Piece: Botany Images
Free admission
The Stanford New Ensemble presents their end-of-year performance of works by Peter Ablinger, John Cage, Michele Cheng, and Michiko Theurer, directed by Hans Kretz.
Time: Fri, May 18, 2019, 7 pm
Location: The Growlery, 舊金山, 美國加州
Role: Performer (fff ensemble)
Free Admission
EXCURSIONS is a new set of exploratory maneuvers by itinerant (Bay Area bred) artist Tiffany Lin. The exhibition provides a glimpse into Lin’s recent forays in poetry, performance, and experimental narratives. EXCURSIONS will feature the debut of two self-published works: A MANUAL BY CODES - a coda to Lin’s 2018 collaborative performance on US flag handling rituals and BECOMING, a queer love story that investigates unconditional love, gendered bodies, and (im)material reality. The two books will be presented alongside new paintings, readings, and installations that further explore the body as container.
Openings (演出)
Time: Fri, May 10, 2019, 7:30pm
Location: Center for Computer Research in Music and Acoustics, Stanford University
Role: Performer (fff ensemble)
Free Admission
Join Christopher Costanza, Christopher Jette, and members of the fff ensemble (Doga Cavdir, Michele Cheng, Simona Fitcal, Julie Herndon, Tiffany Lin, Barbara Nerness, Patricia Robinson, Michiko Theurer, and Julie Zhu) for an evening of sonic and visual questions and openings. The program will include Bach’s C-minor suite for solo cello, performed by Costanza and ending with Bach’s original experimental retuning of the cello; brief selections for violin by Bach and György Kurtag, performed by Michiko Theurer; and musical and intermedia explorations envisioned and performed by Christopher Jette, Michiko Theurer, Patricia Robinson, Tiffany Lin, Barbara Nerness, Simona Fitcal, Doga Cavdir, Julie Herndon, Julie Zhu, and Michele Cheng.
Time: Sat, May 4, 2019, 11:00pm
Location: Downtown Independent, Los Angeles, CA
Role: Commissioned film composer / Film: The missing ingredient
THE MISSING INGREDIENT
Directed by Yue Huang
When a middle-aged man, indulging in the tempting world of food, is made aware of his loneliness, he finds something important deep in his heart that he used to neglect.
Time: Thu, April 18, 2019, 7:30pm
Location: Bing Concert Hall, Stanford, CA
Role: Performer (Piano/Percussion)
Jason Treuting’s Amid the Noise began as a soundtrack and is now a communal music-making project that can occur with a flexible number of musicians in almost any combination. The musical ideas in Amid the Noise are abstract: drones, melodies, rhythms, textures, patterns. Sō Percussion has experimented with the instruments and discovered that accordion, organ, or tuba play a satisfying drone as well as bowed vibraphone. Don't miss the chance to see this new contemporary music from Amid the Noise.
UCI Illuminations: Asian Immigration as Creative Muse
Time: Tue, Feb 26, 2019, 5 pm
Location: Winifred Smith Hall, 加州大學爾灣分校
Role: Performer & Composer / Piece: Speed Dating
Free Admission
I Dream, therefore I Am explores interrelated aspects of immigration, Asian American, and dream. Do “dreamers” (DACA), 1.5 generation, and recent immigrants share similar immigration experience or have distinctive “American dreams”? How is their dream shaped, nurtured, pursued, or crushed? Do memories, nostalgia, or broken dreams inspire artistic creation? Do we all have the right to dream? With live music, theatre, poetry, puppetry, and improvisation, dreams are created and shared in front of your eyes. The program includes original music composed and performed by Michele Cheng and Shih-Wei Wu, dramatic work by Theatre Woks, puppetry by Chee-Hann Wu, and text by Daphne Lei.
Time: Sat, Feb 23, 2019, 5 pm-6:30pm
Location: Frick Fine Arts, 匹茲堡大學
Role: Composer / Piece: Speed Dating (Premiere)
Free Admission
New works by Singer Joy, Anthony Green, Steven Whiteley, and Michele Cheng.
Performer: soprano Anna Elder
Time: Sat, Jan 26, 2019, 7 pm
Location: Center for Computer Research in Music and Acoustics, Stanford University
Role: Performer (fff ensemble) & Composer / Piece: Conversation-ish
Free Admission
improvisation and performance by
Michele Cheng
Julie Herndon
Barbara Nerness
Stephanie Sherriff
Michiko Theurer
Julie Zhu
Role: Film Composer / Film: Deathigner
【2018未來之星】─台灣動畫短片全台院線聯映，校園巡迴、專題講座、映後座談系列活動
★ 2018年第一波全台動畫聯映片單
1.《Out Of Sigh》/ 2D / 虞雅婷（臺灣藝術大學 多媒體動畫系所）
2.《他奶奶的一天》/ 2D / 詹凱勛（臺北藝術大學 動畫學系）
3.《死神訓練班》/ 2D / 費子軒（臺灣藝術大學 多媒體動畫系所）
4.《餓男專賣電》/ 3D / 黃鴻志（豆油瓶影像動畫工作室）
5.《虎爺》/ 2D / 潘瑩（臺灣藝術大學 多媒體動畫系所)
6.《奈也安妮》/ 2D / 許尹嘉（南臺科技大學 視覺傳達設計系）
7.《冥天》/ 2D / 林孟欣（臺南藝術大學 動畫藝術與影像美學研究所）
8.《巴特》/ 停格動畫 / 黃勻弦（旋轉犀牛原創設計工作室）
9.《攝影師》/ 3D / 徐瓏愷（雲林科技大學 設計運算研究所）
10.《The Water Giant》/ 2D / 陳威元（臺北藝術大學 動畫學系)
Time: Sun, June 17, 2018, 7 pm- 9:30pm
Location: Salisbury Congregational Church, Salisbury, VT.
Role: Composer / Piece: Voir dire (Premiere)
Free Admission
The New Music On The Point Festival encourages imaginative collaboration among composers, instrumentalists, and singers. Piece premiered: Voir Dire features sopranos Anna Elder & Elizabeth Gartman, percussionists Colin McCall & Niki Johnson, and bassist Robert Black.
Time: 2018年5月20日 14:30
Location: 高雄市音樂館，高雄市鹽埕區河西路99號.
Role: Commissioned Composer / Piece: 當韋瓦第遇上西北雨 小提琴協奏曲
巴洛克獨奏家樂團2018出版計畫《音樂覺旅》，以時空交錯的概念，涵蓋了客家「採茶歌」、「綠島小夜曲」、「高山青」等在台灣耳熟能詳的樂曲，樂團邀請台灣優秀的作曲家以歌謠為主軸，西洋古典音樂風格為輔，經由樂團的詮釋勾勒出具深刻文化內涵的人文風景。以「時」與「空」交會的概念下，將台灣的歌曲精緻改編，象徵音樂不受時間以及空間的限制，藉著巴洛克獨奏家樂團，東西方、古代與現代的結合。讓觀眾於音樂廳中享受破除距離與時間的旅行。
Baroque Camerata- New Album Release Tour 音樂覺旅-巴洛克獨奏家樂團 (作品發表)
Time: 2018年5月19日 19:30
Location: 嘉義市政府文化局音樂廳，嘉義市忠孝路275號
Role: Commissioned Composer / Piece: 當韋瓦第遇上西北雨 小提琴協奏曲
巴洛克獨奏家樂團2018出版計畫《音樂覺旅》，以時空交錯的概念，涵蓋了客家「採茶歌」、「綠島小夜曲」、「高山青」等在台灣耳熟能詳的樂曲，樂團邀請台灣優秀的作曲家以歌謠為主軸，西洋古典音樂風格為輔，經由樂團的詮釋勾勒出具深刻文化內涵的人文風景。以「時」與「空」交會的概念下，將台灣的歌曲精緻改編，象徵音樂不受時間以及空間的限制，藉著巴洛克獨奏家樂團，東西方、古代與現代的結合。讓觀眾於音樂廳中享受破除距離與時間的旅行。
Baroque Camerata- New Album Release Tour 音樂覺旅-巴洛克獨奏家樂團 (作品發表)
Time: 2018年5月17日 19:30
Location: 交通大學演藝廳，新竹市大學路1001號
Role: Commissioned Composer / Piece: 當韋瓦第遇上西北雨 小提琴協奏曲
巴洛克獨奏家樂團2018出版計畫《音樂覺旅》，以時空交錯的概念，涵蓋了客家「採茶歌」、「綠島小夜曲」、「高山青」等在台灣耳熟能詳的樂曲，樂團邀請台灣優秀的作曲家以歌謠為主軸，西洋古典音樂風格為輔，經由樂團的詮釋勾勒出具深刻文化內涵的人文風景。以「時」與「空」交會的概念下，將台灣的歌曲精緻改編，象徵音樂不受時間以及空間的限制，藉著巴洛克獨奏家樂團，東西方、古代與現代的結合。讓觀眾於音樂廳中享受破除距離與時間的旅行。
Lecture Topic: Creative Practice and Interactive Technology in Contemporary Music
Location: Department of Music, National Taiwan Normal University, Taiwan
Course: Computer Music II, instructed by Chien-Yu Huang (Spring Semester, 2018)