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Michele Cheng is an interdisciplinary composer who intertwines diverse media such as music, experimental theatre, and puppetry to engage with social issues and cultural identities. Through a journalistic approach to interview and research, she develops creative work that shines light on underrepresented individuals and their narratives. Her works have been performed internationally at National Sawdust, CCRMA, ICMC, ISSTA, SICMF, SEAMUS, Sonorities, NYCEMF, eavesdropping, New Music Gathering, White Snake Project, Musée des Beaux-Arts de Dijon, among others. As an improviser-performer, Michele plays multiple instruments and self-built electroacoustic devices and has shared the stage with artists from various disciplines. She is a co-founder of the experimental pop duet Meoark and fff, an interdisciplinary improv collective led by feminist media artists. Michele was recently awarded the New Music USA Creator Development Fund and a scholarship from Atlantic Center for the Arts. She is currently a JACK Studio artist commissioned by the JACK Quartet and an author commissioned by the American Composers Forum and I Care If You Listen for their "Casting Light" essay series.
Michele Cheng is an interdisciplinary composer who intertwines diverse media such as music, experimental theatre, and puppetry to engage with social issues and cultural identities. Through a journalistic approach to interview and research, she develops creative work that shines light on underrepresented individuals and their narratives. Examples of her work include: Voir dire, a modern fairytale about criminal justice; Speed Dating, a three-screen video piece in ambisonics with puppetry reflecting on Asian American's dating culture; and Doyennes' Diaries, an electroacoustic work with self-built instrument and narrated diaries from women-identified artists. OMW, a documentary film featuring narratives of 1.5 generation Taiwanese Americans, was a grant-supported project she produced and directed. The film was recognized as a finalist by the Formosa Festival of International Filmmaker Awards (FFIFA) in 2017.
Her works have been performed at venues including Musée des Beaux-Arts de Dijon (France), Sonic Arts Research Centre (UK), Podium Gigant (Netherlands), Conservatoire de musique du Québec à Montréal (Canada), Seoul Arts Center (South Korea), National Theatre & Concert Hall (Taiwan), National Taichung Theater (Taiwan), and throughout the United States at National Sawdust (Brooklyn, NY), Bing Concert Hall (Stanford, CA), Orange County Museum of Arts (Santa Ana, CA), Experimental Media Performance Lab (Irvine, CA), Emerson Paramount Theatre (Boston, MA), among others.
She has been featured by CCRMA Center for Computer Research in Music and Acoustics (Stanford, US), ICMC International Computer Music Conference (Santiago, CL), ISSTA Irish Sound, Science & Technology Association (IE), Sonorities Festival Belfast (Belfast, UK), SICMF Seoul International Computer Music Festival (Seoul, KR), SEAMUS The Society for Electro-Acoustic Music in the United States (US), NYCEMF The New York City Electroacoustic Music Festival (NYC, US), New Music Gathering (Portland, US), eavesdropping symposium (London, UK), Vu Symposium (Park City, US), Hot Air Festival (San Francisco, US), White Snake Project (Boston, US), Resonance Works (Pittsburgh, US), UCI Illuminations (Irvine, US), 26th Young Composers Meeting (NL), New Music On The Point (US), and LMCML Laboratoire de musique contemporaine de Montréal (CA).
She has worked with ensembles including orkest de ereprijs (Netherlands), Ensemble Instrumental de l'ESM Bourgogne-Franche-Comté (France), Amaranth Quartet (US), Stanford New Ensemble (US), Taipei Symphony Orchestra (Taiwan), Baroque Camerata (Taiwan), and Yunlin Sharing Chamber Orchestra (Taiwan) where she is a composer-in-residence since 2007.
In 2020, she received National Sawdust's commission and was named a JACK Studio artist commissioned by the JACK Quartet. Current projects in 2021 include an intermedia work supported by the New Music USA Creator Development Fund; a residency with full scholarship from Atlantic Center for the Arts; and an essay commissioned by the American Composers Forum and I Care If You Listen for their "Casting Light" series.
Michele was the winner in Digital Music for u19 Award, a media arts competition for youth inspired by renowned u19- CREATE YOUR WORLD. It was hosted by Industrial Technology Research Institute (ITRI) in Taiwan in 2007. She was then invited as a representative to visit Prix Ars Electronica in Linz, Austria. In 2017, she was recognized as a winner of The American Prize for her experimental music theatre project To Be Heard X Unheard about Asian women's experiences.
As an improviser-performer, Michele plays multiple instruments and self-built electroacoustic devices. She has shared the stage with Sō Percussion, Taiko Center of Los Angeles, Antenna Fuzz, and many artists from various disciplines. She is a co-founder of the experimental pop duet Meoark and fff, an interdisciplinary improv collective led by feminist media artists, and was a member at Stanford New Ensemble.
Dedicated to nurturing future innovators, she has worked with children to college students. She was a TK-3 music educator at public elementary schools in the San Francisco Bay Area, a graduate teaching assistant for School of the Arts and School of Education at the University of California, Irvine, and a teaching intern at Orange Coast College. She has also given guest talks at the University of California, Berkeley, the University of Western Ontario, National Taiwan Normal University, National Sun Yat-sen University, National Chung Cheng University, and National Yunlin University of Science and Technology.
Michele holds an M.F.A. in Integrated Composition, Improvisation, and Technology (ICIT) from the University of California, Irvine, studying with Nicole Mitchell, Michael Dessen, Chris Dobrian, Kojiro Umezaki, and Lukas Ligeti. She received her B.F.A. in Theory and Composition from National Sun Yat-sen University in Taiwan where she studied with Szu-Hsien Lee and Kwang-I Ying. She joins Cornell University as a DMA Composition fellow in Fall, 2021.