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Puppetry

Michele Cheng was introduced to puppetry in 2018 while working as a children's museum program specialist and an elementary school music educator. Since 2019, she has been incorporating puppetry into her creative work and animating objects as puppets. She started with two hand puppets— a squirrel and a fluffy sheepdog— and started building her own since 2022. She receives training between 2024-2026 through theatre courses including mask theatre, puppet theatre, and performing puppetry with puppeteer and movement artist Kate Brehm at Harvard University. She has done fieldwork in North America, Europe, and Taiwan, where she observes traditional and modern puppetry, studies puppet design and building with various materials and techniques, as well as practices applied puppetry.

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(Left to right) Custom puppet operated by Claire Chase playing spontaneously with pianist Craig Taborn (2023); hand puppet (2022); marionette (2025); character mask (2024); toy theatre (2025); hand puppet operation (2020); custom hand puppet (2024); shadow puppet (2025); large mask (2024).

Projects

Premiered at Paine Hall, Cambridge, MA, U.S.

Multiverse is an intermedia work with live green screen, projection, video, electronic music, puppet, and live musician. The anthropomorphic deer is a mythical figure connecting the land and water, with a tree on top of the head and a flowy costume resembling the wavy waters. 

Credits:

  • Michele Cheng: music, video, puppets maker, puppeteer

  • Micah Huang: musician/improviser

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Jaack (2023​)

Commissioned by JACK Studio

Premiered in New York City, U.S.

Jaack is a musical puppet theatre work for the JACK Quartet. It features four quartet members (Chris, Austin, john, and Jay), four custom puppets (Chriis, Auustin, Joohn, and Jaay), video score, interactive visual arts with a custom smart mirror, AI-generated images, and structured improvisation. This project is the outcome of the composer's explorations into socio-political polarization, group polarization, fake news, conflicts, and interpersonal relationships.​

Credits:

  • Michele Cheng: music, puppets maker, puppeteer, smart mirror builder, video score, AI generation, voice over

  • Simona Fitcal: interactive visual arts, animated background, videographer

  • Hassan Estakhrian: voice over

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Harajuku girls (2025​)

Experimental podcast

Harajuku girls is a podcast with real-time improvisatory performance

between AI chatbots and a human moderator disguised with AI voice generator and a custom mask. 

Credits:

  • Michele Cheng: mask maker, mask actor

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Noop (2024)

Premiered at Stanford Center for Computer Research in Music and Acoustics, Stanford, CA, U.S.

Noop, the hand puppet is incorporated with a gesture controller where a musician’s performance is live processed with effects that corresponds to the puppet’s movement.

Credits:

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Up in the Sky (2025​)

for Antenna Fuzz’s music video Up in the Sky

Custom toy theatre 

Credits:

  • Michele Cheng: toy theatre maker, puppeteer

  • Antenna Fuzz: music

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Prosimetrum (2023)

Commissioned by Nathan Mondry (organist)

Premiered in Anabel Taylor Hall, Ithaca, NY, U.S.

Prosimetrum is an organ work with livestream of live puppeteering and the organist at the organ gallery.

Credits:

  • Michele Cheng: music, puppets maker, puppeteer

  • Nathan Mondry: organist

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© 2026 Michele Cheng.

All Rights Reserved
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