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2025「數位人文與AI藝術」國際學術研討會

Time: October, 31-November 1 2025
Location: National Sun Yat-sen University (UTC +8)
Role: Presenter
隨著科技迅速發展,生成式人工智慧(Generative AI)已在數位人文研究與藝術創作領域引發深遠影響。面對生成式AI如ChatGPT等工具的廣泛應用,人文學科的研究方法與藝術創作正迎來前所未有的變革與挑戰。為促進學術界在此領域之討論、交流與合作,國立中山大學「數位人文與AI藝術潛力國際研究群」特別與國立中山大學文學院暨中國文學系、全球共生與國際漢學特色領域研究中心、「USR邁向永續轉型與創生:城市共事館的全球在地實踐計劃」共同舉辦2025「數位人文與AI藝術」國際學術研討會,邀請國內外學者分享關於數位人文與AI藝術領域新穎的觀察、深刻的省思,以及豐富的研究成果。
Department of Music Throwdown

Time: September, 24 2025
Location: Holden Chapel, Harvard University (UTC -4)
Role: composer-performer
Join us for an evening of music by Department of Music students, hosted by Professor Claire Chase. This performance includes works by Marisse Cato, Michele Cheng, Micah Huang, Jules Masssenet, Pauline Oliveros, and more!
ICMC Conference 2025 - International Computer Music Association

Time: June 8-14, 2025 (UTC-4)
Location: Boston, MA, U.S.
Role: Composer-performer
The 50th Anniversary of the International Computer Music Conference (ICMC 2025) will be held in Boston from June 8 – 14, 2025. ICMC 2025 will be collaboratively hosted by five institutions, Northeastern University, New England Conservatory, Berklee College of Music, Boston Conservatory at Berklee and Emerson College.
Artist Residency at 33 Officina Creativa (33OC)

Time: May, 2025
Location: Toffia, Italy (UTC +1)
Role: Artist in Residence
33 Officina Creativa (33OC) is a nonprofit association based in Toffia, Italy with the aims of diffusing contemporary art and preserving the local cultural heritage. This is achieved through international artistic exchanges and cultural events that enable the inclusion of the territory in which the association operates into a broader cultural horizon.
Creative Practice and Critical Inquiry Concert

Time: April 30, 2025 (UTC-5)
Location: Paine Hall, Harvard University
Role: Puppeteer
From acoustic works, to electronics, multimedia, puppetry and more, the CPCI Concert presents a series of works that critically re-imagine our ways of listening to the world. Breaking borders of musical genre, artistic mediums, and more, audiences will join the musicians on transformative journey. The concert will consist of works by the Creative Practice and Critical Inquiry (CPCI) doctoral students as well as participants of Jessie Cox’ Spring CPCI Seminar.

Innovations in Sonority: Music from Custom-Built Instruments
Time: February 24, 2025, 8pm EST (UTC-5)
Location: Holden Chapel, Harvard University
Role: Composer-performer
Join renowned sound artist Julie Herndon in this innovative concert of electronic music on a series of custom-built instruments, accompanied by special guest performer Michele Cheng. Don’t miss this inspiring exploration of sound, art, and technology!
Berglind María Tómasdóttir: On Memory
Time: February 19, 2025 (UTC-5)
Location: Music building, Harvard University
Role: Performer, puppeteer
In Memory explores memory, recognition, time, places, people and the relationships between. The works are intertwined with videos and sound interludes by Berglind Tómasdóttir that reflect on the theme in various ways.






